STRATEGY OF THE NEW DRAMA IN LESYA UKRAINKA’S LITERARYAND- CRITICAL ARTICLES

The article examines the features of a new drama promoted by Lesya Ukrainka in her literary-and-critical articles, and further artistic work. In drama, focuses on nature dramatic work, specifically, text as link connecting addresser addressee. She sees H. Hauptman’s dramaturgy an example such creation, namely, motives types characters his plays. word becomes lead character texts turns into communicative strategy. structurally figuratively robust means developing play’s plot composition. associates drama’s purpose not with modernism or programs “art-for-art’s-sake” aestheticism, but social development. author believes that concept determines structural compositional transformations, figurative originality. considers Ibsen, Hauptman, S. Przybyshevsky, whose works she analyses to be examples drama. factors providing for emergence Ukrainian literature include lyrisation strategy, which is manifestation “literaturisation”. Lyrisation text’s feature contributes action subjectivisation, leads chronotope displacement, enables combination events happening different times within one text, polysemy expression through metaphor symbol. philosophy author’s strategy transforming verbal subject poetic existence correlates ability statement create multiple meanings interpretations convey emotionality words. Drama drives creation conventional images, while appears guise, several. distances themselves from character, subject’s uncertainty potential multiplicity. Dramatic incentive generic genre images establish explicit communication between presented characters’ statements, provides plurality allows playing words, manifests “Literaturisation” integrates playwrights context world literary theatrical tradition, expands their themes, diversity, system.